Strobe Placement & 8 Easy Tips For Lighting Your Subjects

Get Close

Try to stay within a few feet of your subject to get the most light, contrast and color from your strobes. Even at five feet away, your contrast and color will start to drop, even in the best visibility.

A good general rule to follow: The distance you are from your subject is the same distance the strobes should be positioned from the camera.

One Strobe or Two?

For macro shooters, you can get away with a single strobe. Adding a second strobe will allow you to fill shadows created by the primary. For wide-angle photography, a pair of strobes is recommended. Dealing with shadows and a wide coverage area is much easier to accomplish with two strobes.

Keep ‘Em Up

Natural light comes from above. Light from below is unnatural, which is why telling ghost stories with a flashlight under your chin is spooky. Keep your strobes above the level of your camera lens to avoid spooky lighting.

Wide-Angle Shooting

This is more difficult, as strobe placement becomes more critical the wider you go with your lens. As a general rule, keep your strobes pointed forward, not inward, and have about the same distance from the strobe to the housing as you have from the lens to the subject. This avoids lighting up the tiny particles in the water – backscatter – by creating a “dark zone” between the camera and the lens.

For a wide angle scene where you are further away from your subject, push your strobes out wider.

Macro Shooting

Strobes have an angle of about 90 degrees or more; your subjects will be at 30 degrees or less. Like the scattered shot of a shotgun, you can aim strobes in the general direction and still hit the target. Strobes will be placed close to the camera, facing forward. With a single strobe, place it on top. With a pair, I like to have one on top of the camera and one on the side, allowing me to switch to a vertical composition, and still have one on the top and one on the side.

1. Always keep your strobes pointed forward, not inward.
2. As you get closer to a subject, bring the strobes closer to the housing.
3. As you get farther away, push them out wider.
4. If you see backscatter while reviewing your image, push the strobes out wider for your next shot.
5. Reposition your strobe if it is lighting an ugly area of the reef.
6. If one strobe is significantly closer than the other, turn down the intensity of the closer strobe to avoid blowing out the exposure.
7. For wide-angle vertical shots, try turning off one strobe and just use the one on top.
8. For wide-angle shots with a wall on one side, position one strobe on top and another on the blue-water side.

When purchasing underwater photography equipment like the product mentioned in this article, please support Scuba Diver Life by supporting our retail partner: Backscatter.com